![]() ^ “ Museum Info,” Milwaukee Art Museum, accessed November 12, 2014.Early in 2016, the Museum agreed to purchase the lower levels of the War Memorial, as well as O’Donnell Park and the adjacent parking structure, from Milwaukee County. A $34 million renovation to the War Memorial section of the museum was completed in 2015, with a major reimagining of the lakefront entrance and a reorganization and expansion of the gallery space. At the same time landscape architect Dan Kiley designed the Cudahy Gardens. The addition also includes the “Museum’s signature wings,” the Burke Brise Soleil, which is a “moveable sunscreen” made of 72 steel fins with a 217-foot wingspan that opens and closes twice a day. This addition includes the Windhover Hall, the grand entrance, with ninety-foot tall glass ceilings. The 142,050-square-foot Quadracci Pavilion addition was completed in 2001. The Calatrava was built during a period when many architecturally daring constructions and additions were being commissioned, including the Guggenheim Museum in Bilbao, Spain, the Contemporary Arts Center in Cincinnati, and the American Folk Art Museum in New York. Schmidt was chosen to build the new addition. The Spanish-born Santiago Calatrava was chosen as the architect, and the Milwaukee-based construction firm C.G. These donations helped facilitate the construction of an addition that better connected the Museum to the city of Milwaukee. MAM received substantial donations during the late 1990s from Jane Bradley Pettit ($13 million) and Betty and Harry Quadracci ($10 million). Three years later, the Milwaukee Art Museum became fully accredited by the American Association of Museums. To publically acknowledge and commemorate the increasing role that the Art Center was playing in Wisconsin, the Center was renamed the Milwaukee Art Museum (MAM) in 1980. įrom 1977 until 1984, Gerald Nordland served as the director of the institute. Kahler made a conscious architectural choice to honor the work of Saarinen by blending his 120,000-square-foot addition to complement the aesthetic style of the original War Memorial. David Kahler of the Milwaukee-based architectural firm, Kahler, Slater & Fitzhugh Scott, was chosen to design the addition. Contributors quickly surpassed the goal, and by 1970, nearly $7 million had been raised. ![]() She also challenged Milwaukeeans to match her million-dollar donation to fund the construction of a new wing for the Milwaukee Art Center to accommodate her paintings. Harry Lynde (Peg) Bradley made a contribution of over 600 modern European and American artworks to the Milwaukee Art Center. It was in that same year that that the Layton Art Gallery and the Milwaukee Art Institute merged their collections and moved into Saarinen’s 20,000 square-foot Memorial Center, constructed of a “subdued complex of heavy stone and pink-tinted concrete.” It was at this time and in this space that the Milwaukee Art Center was founded. The construction of the War Memorial building was completed in 1957. The Finnish-American architect Eero Saarinen took over as head architect after the death of his father, with Maynard Meyer of Milwaukee serving as associate architect. Construction on this project began in 1955. Three of these groups, Altrusa, Zonta, and the Business and Professional Women’s Clubs decided that Milwaukee should construct a community war memorial and cultural center. In 1916, the Association officially changed its name to the Milwaukee Art Institute.Īfter World War II, several women’s groups in Milwaukee wished to support the federal Commission for Living War Memorials, which in 1944 had urged communities to build memorials with practical uses. In 1911, the Milwaukee Art Association moved its headquarters to Jefferson Street near the Layton Art Gallery. ![]() The development of these art institutions reflected the blossoming national museum movement, which by this time had worked its way to the Midwest from the East Coast. The same year, the Milwaukee Art Association held its first large public art exhibition. Layton donated his art collection and contributed $100,000 to the construction and endowment of Milwaukee’s first art gallery. ![]() Layton, an integral figure in the development of the meatpacking industry in Milwaukee, was also an avid art collector. It was in that year that businessman Frederick Layton dedicated the Layton Art Gallery as a gift to the city of Milwaukee. ![]() The 341,000 square-foot museum is home to 30,000 works its world-renowned collections include strengths in “American decorative arts, German Expressionist works, folk and Haitian art, and American art after 1960.” While the institution’s current manifestation as the Milwaukee Art Museum is relatively new, dating back only to 1980, the Museum has a rich history of additions, acquisitions, and changing appearances from the time of the Museum’s origins in 1888. The Milwaukee Art Museum is the largest art museum in Wisconsin. ![]()
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